John Davis And The Monster Orchestra
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John Davis and the Monster Orchestra were an
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disco Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric pia ...
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, noted for their lead member (John "the Monster" Davis), who lent his name to the band as well as producing all of their output.


History

The ensemble released its first
album An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early ...
, ''Night and Day'', in 1976. The 12"
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, "I Can't Stop", was one of its original tunes.The song became an influence in the culture of hip hop being used by the Brothers Black,
Jungle Brothers Jungle Brothers are an American hip hop trio composed of Michael Small (Mike Gee), Nathaniel Hall ( Afrika Baby Bam), and Sammy Burwell (DJ Sammy B). Known as the pioneers of the fusion of jazz, hip-hop, and house music, they were the first hi ...
,
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and
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. The album enjoyed minor success and its second release was 1977's ''Up Jumped the Devil''. By 1978, the band had released its third album, ''Ain't That Enough For You''. It was their most commercially successful release, featuring the self-titled hit "Ain't That Enough For You". The album gave the outfit its only UK
hit Hit means to strike someone or something. Hit or HIT may also refer to: Arts, entertainment and media Fictional entities * Hit, a fictional character from '' Dragon Ball Super'' * Homicide International Trust, or HIT, a fictional organization ...
, when the record reached #70 in the
UK Singles Chart The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-s ...
. 1979's ''The Monster Orchestra Strikes Again!'' would be the band's final album release. The record spawned two 12" singles: "Love Magic" would rival the group's previous success, whilst "Bourgie Bourgie" was a
cover version In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song release ...
of the
Ashford & Simpson Ashford & Simpson were an American husband-and-wife songwriting-production team and recording duo of Nickolas Ashford (May 4, 1941 – August 22, 2011) and Valerie Simpson (born August 26, 1946). Ashford was born in Fairfield, South Carolina, ...
penned
song A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetitio ...
. John Davis and the Monster Orchestra's last release in 1981 was available only on a 12" single, "Hangin' Out" charted on ''
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''
Hot Dance Club Play Dance Club Songs is a chart published weekly by '' Billboard'' magazine in the United States. It is a national look over of club disc jockeys to determine the most popular songs being played in nightclubs across the country. It was launched as t ...
chart in August 1981 and topped at number 46. In 1990, a
remix A remix (or reorchestration) is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, video, poem, or photograph can all be remixes. The o ...
of "(Feel The) Love Magic" was released and it became a club hit again. In 1992, Davis wrote, produced and performed the "Theme From
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." Davis was a member of the
MFSB MFSB, officially standing for "Mother Father Sister Brother", was a pool of more than 30 studio musicians based at Philadelphia's Sigma Sound Studios. They worked closely with the production team of Gamble and Huff and producer/arranger Thom Bel ...
studio session band during its hey-day in the late 1960s and early to mid-1970s, appearing on many Philadelphia International recordings. He was involved in producing and arranging the #1 R&B hit (#4 pop), "Be Thankful For What You've Got", a million-seller for William deVaughn in 1974.


References


External links

*John Davis and the Monster Orchestra at disco-funk.co.uk {{Authority control American record producers American dance music groups American disco groups American funk musical groups